The Art of Choral Conducting

This is a video that I stumbled upon online, which features several different points of view (from conductors) about The Art of Choral Conducting

I will let the video speak for itself.

http://www.s12.si/kultura-umetnost/izven-okvirja/707-the-art-of-choral-conducting

What we say....

I have in my many years as a choral singer performed under the direction of 12 different conductors. Each conductor has their own style and all get great sounds out of their choirs. However when I was observing some student conductors lately who were rehearsing choirs, I found them saying (more often than not) a lot of contradictory comments to the choirs. Here are some examples:

Choir finishes singing through a piece and the student conductor says
"Ok, soprano's, this next time through the piece could you FOLD into the sound without singing QUIETER.

After the student said that and then moved forward with the rehearsal I began to think about what was asked of the sopranos.
1. They were asked to FOLD into the sound. Folding, usually consists of diminished something by halves or fourths (depending on how you would fold a napkin).
2. They were asked to NOT sing QUIETER in order to blend with the choir (which I believe not singing quieter and yet folding the sound are contradictory to one another).

After observing some more student conductors I found a lot more contradictory comments. This lead me to ask myself,
how often do we sit back as conductors and analyze what we say to our choirs and if what we say is being understood (the way we want it to be)?

Americas Choral Journey Video #3

This video is almost twice as long as the other two, but it covers 3 legends; Charles Hirt (USC), Warner Imig (UCB) and Robert Fountain (UW-Madison).

There are two songs featured on this video; April is in my mistress' face, and O Magnum Mysterium both performed by the Cambridge Singers.

Americas Choral Journey Video #2

John Finley Williamson and the beginning of The Westminster Choir College. How they brought Choral/Symphonic Music to the public and gained a worldwide reputation.

The video does include an excerpt from the German Requiem by Brahms.

Please comment if you like it. Thank you

My New Series of Posts

I am starting a Series of Posts called "Americas Choral Journey" which timelines the big events in the forming of today's choral traditions and education. It follows from 1900 to today. Covering 15 Video's averaging 5 mins each. ALL VIDEOS WILL HAVE SOUND INCLUDED.

I will cover several topics within these videos, but to not give any of that information now, will leave you suspense and curiousity. So please return as my new videos shall be every week or every couple of weeks.

Its a long series, so I do hope that you continue to watch them. The choral history of this country I believe has great value to present day conductors.

Its a map of where we've been and could help lead us to where we can go, while still keeping our core traditions.

Hope you enjoy and have many comments.

Choral Intonation (Listen Closely....)

I listen to an astonishing amount of choral music. This music involves tons of different ensembles, conductors, and types of music. In all of this listening/learning I tend to listen for specific things, but more often I listen for CHORAL INTONATION.
I believe that as a conductor this is what we all try to master. Depending on your group and the style of music, your intonation will change to fit the style. Well in my search to find the best sounding choirs I can listen to, I have come to realize that the best sounding choirs have 1 element that helps make the ensemble intonation sound amazing, and most people probably overlook this when listening to choral groups. For Example; Dale Warland Singers are known througout the United States as “An Amazing Choir” especially their sound. University of Miami Frost Chorale directed by Dr. Jo-michael Scheibe i believe is one of the best choral groups at the collegiate level. Other choirs would be Ars Nova Singers (Thomas Morgan), The Esoterics (Dr. Eric Banks), Choir of the West (Dr. Richard Sparks), Seattle Pro Musica (Karen P. Thompson), University of Michigan Choirs (Jerry Blackstone), BYU Singers (Dr. Ronald Staheli) etc.
What I have determined by all this is that all the best sounding choirs have conductors who are composers or arrangers/editors. I believe that with those skills comes the ability of giving finer detail to Choral Intonation then conductors with conducting degrees. Now, dont get me wrong there are amazing choral conductors who are not prolific composers/arrangers in the United States that I have heard and greatly admire; Dr. Richard Sparks (Choral Arts NW, Pro Coro Canada), Dr. Joe Miller (Westminster Choir College), Peter Phillips (Tallis Scholars), Dr. Greg Vancil (Seattle Bach Choir), and there are a few more.
So just a thought that if you listen closely to a choir conducted someone who works as a composer/arranger, and then listen to the same song conducted by a different choir with a conductor who does not compose or arrange music you will notice the difference in Choral Intonation (with some exception to the great Choral Conductors listed above (sparks, Vancil, Phillips, etc).
But all of those conductors that I have listed are what I define as the best choral directors.